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is not only a hair accessory, but also a way of self-expression.
When classic elements meet modern design, a daily headdress that you can't put down will quietly appear
When people are still chasing exaggerated and dazzling metal accessories, a soft and existential wide-brimmed headband is quietly entering the public's view. Zhuo Fen's Butterfly Cross Headband interprets women's pursuit of beauty in the new era with a unique attitude, and infuses youthful language on the basis of inheriting traditional aesthetic feeling. It is not a simple copy of the fashion trend of the work, but the delicate process and the modern outline of the re-arrangement of the artistic crystallization. Whether you are a fresh person entering the workplace or a free soul who loves life, you can find your own bright color from it.not only accessories, but also the carrier of emotional expression and style declaration, revealing the aesthetic philosophy behind this headband
if clothing is the language of the body, then accessories are the projection of the mind. This Korean-style cross bow headband contains the design essence refined after profound insight into the contemporary life style-the image shaping law of less is more but not weak, soft but not weak is being accepted by more and more girls with independent aesthetics. One of the most representative is the unique cross intersection bow structure, which is not only a visual focus but also a symbol of the spiritual core of hardness and softness.From street photographers to celebrities, why does this butterfly cross band appear so often? A look at its matching magic
Whether it's a sundry model captured on the streets of Myeongdong, Seoul, or a private photo of an artist you meet on Weibo, you can always see it as if it's familiar but new every time it appears. This seemingly casual but exquisite effect just caters to the current popular "Effortless Chic" trend. It is precisely because of such a strong compatibility that it has become a resident guest on the dresser of many beauty lovers.
